![]() ![]() “We ran the tape through so many times it kept wearing out,” May said. To achieve the grand chorale, the group layered a whopping 160 tracks of vocal overdubs (and remember, this was in the days of 24-track analog recording). Three weeks of that time was spent on “Bo Rhap” (as Queen fans affectionately call it), with a whole week devoted to the operatic interlude. The backing track was done with just piano, bass and drums, with a few spaces for other things to go in … Freddie sang a guide vocal at the time, but he had all his harmonies written out, and it was really just a question of doing it.”Īfter lengthy rehearsals, the four-month recording sessions for the song’s parent album, A Night at the Opera, moved between six studios-an excess unheard of in 1975. ![]() “He came in and knew exactly what he wanted. “It was really Freddie’s baby from the beginning,” said guitarist Brian May. Six minutes of flamboyant patchwork pop-a capella intro, sentimental verses, faux-Italian chorale, a thundering glam-metal climax-it’s a testament to Freddie Mercury’s adeptness as a songwriter and Queen’s musicianship that the disparate parts add up to such a glorious sum. “Bohemian Rhapsody” is like a condensed version of the second side of Abbey Road, with makeup and tights. ![]()
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